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I’ve also visited OC ReMix since 2000 (the site was started in December of 1999) so I’ve had ample opportunity to hear their work. The library is very clearly a labor of love: I’ve never met Andrew Aversa (whose products I’ve reviewed before) or David Lloyd (who founded ) but I’ve exchanged comments with each online over the years and I introduced Nobuo Uematsu to their arrangements of his music when I interviewed him. Yet the Famicom was possibly the biggest chameleon of them all – it may have been mono, but depending on what expansions were being used, the soundtrack might feature DCOs, “wavetable synthesis” (in the sample playback sense, not the more advanced one) or even FM synthesis. If you’re familiar with both, you’d rarely mistake the sound of one for the other as they are so distinct.
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If we look at the two most recent systems in the library, both in stereo, we see a move from the FM synthesis of the Sega Genesis (which is the closest in the library to the sound of MIDI FM PC soundtracks of the early 90s) to the slightly newer Super Nintendo (which was more akin to the early Gravis Ultrasound and Sound Blaster Awe sample library based soundtracks) we see a big difference from most of the early systems output mono sound using onboard oscillators.
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Of course, the Game Boy is only one of eight systems in the full library – so the freebie does nothing to diminish the value of the full Super Audio Cart.Īs a massive fan of game music (it has been a huge source of inspiration for me for over two-and-a-half decades) I’d like to emphasize the sheer diversity of sounds the library takes on.
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Since the Game Boy has some of my favorite DCO based sounds in the whole library (not to mention that it was Nintendo’s first system with support for rudimentary 3-position stereo panning), I would suggest that you download it right away to get your feet wet before buying the full library.
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So if you have the full version of Kontakt 5.5.2, Impact Soundwork’s you can get Super Audio Boy for free, which has all the Game Boy sounds from the full Super Audio Cart and all the same GUI features.
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Whether you’re looking to make authentic chiptune within the original limitations (the manual gives several helpful notes for those looking to go that route) or want to bring the sounds into an entirely new context (many of these sounds work great in a mix alongside modern libraries or run through filters like Cytomic’s The Drop) Super Audio Cart gives you the chance to do it all from your DAW.īefore I get into a bit of backstory and delve into the full library, I should note that Impact Soundworks recently released a small part of the library for free.
You’ll find digitally controlled oscillators, FM synthesized sounds, Famicom disk station wavetables, SNES samples (not entirely unlike a more rudimentary version of Creative Labs SoundFonts) and even some of the SID sounds that filled the C64 demo scene. This isn’t “kind of the sound” or “meant to sound like” or “glossy version” of the sounds – you can actually work with the raw, unvarnished sound if you want to. It covers the sounds of the Atari 2600, Commodore 64, Sega Master System, Ninentendo Entertainment System, the Famicom (the more expandable version of the Nintendo Entertainment System for the Japanese market), Sega Mega Drive/Sega Genesis and the Super Nintendo. Super Audio Cart ($149 USD from ) is Kontakt Player library (for full Kontakt or the free Kontakt Player versions 5.5.2 or higher) that samples (in great depth) eight different video game systems from the 1970s through the early 90s. If you’ve ever wanted the authentic musical sound of video game systems from the 70s to the 90s, then take a deep dive into Super Audio Cart.
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